Benedick thinks that Beatrice does not know who he is, but doesn't realise the attitude changes to love of Beatrice's and Benedick's attitudes. (II, i, ) Here, it can be clearly seen that Beatrice as well as Benedick do not point to the claim that Beatrice and Benedick's relationship represents real love in . Although there clearly is a change in the way Beatrice and Benedick see. Imagine you are writing about Beatrice and her relationship with Benedick. You can This shows you appreciate what Shakespeare was trying to do. We have.
During the period when Shakespeare wrote 'Much Ado About Nothing', love and marriage was looked upon in a different way as it is today. One theme that was clear throughout many of his pieces is the theme of love; whether it be obvious or underlying, romantic or lustful.
The notion of romantic love is often explored in his sonnets; a typical sonnet is 14 lines in length with a strict rhyme-scheme and also iambic pentameter, it could be suggested that the strict sonnet form is an analogy for unwavering and timeless, true love. This is because of many important signs throughout the first scene of this play, which give the impression that Beatrice and Benedick will fall in love. One reason why I agree with this statement is that Beatrice and Benedick both come from rich families and people tend to marry into the same social class.
Beatrice and Benedick are from rich families as they're friends with Don Pedro and Leonato, who are aristocrats. Benedick is a soldier, but obviously in a high rank Shakespeare challenges the notion of conventional marriage in Much Ado About Nothing using the characters of Beatrice and Benedick Essay Essay 27 Words 8 Pages Shakespeare wrote many of his plays to discuss and criticise the society he lived in and the strict regulations that were attached to it.
Much Ado About Nothing is a romantic comedy. Without detracting from the obvious frivolity that the audience can see on stage, the play invokes many issues about courtship and marriage and Shakespeare deals with them, Shakespeare uses love and relationships to closely examine and comment on how relationships developed in the society he lived in.
'How does the relationship between Beatrice and Benedick develop in ''Much Ado About Nothing
Love is the prevalent theme through the play, with the younger characters all in love. The title of the play, Much Although cousins, they are two very contrasting women, who have different principles and hold very different views on life.
She is a dutiful and obedient daughter and is dominated by her father Leonato. Whereas, Beatrice is witty, independent and clearly has a mind of her own. To gain a greater understanding of the dialogue I have watched the Kenneth Branagh production of the play, however, my essay will be based upon the version of the In this play we follow two pairs of lovers, Claudio and Hero and Beatrice and Benedick.
Although the main plot surrounds Claudio and Hero we are more concerned with the love-hate relationship between Beatrice and Benedick. This opposition is reinforced soon after in the play, when Benedick speaks to Claudio after the latter has told him about his plans to marry Hero: In faith, hath not the world one man but he will wear his cap with suspicion?
Shall I never see a bachelor of threescore again? An thou wilt needs thrust thy neck into a yoke, wear the print of it and sigh away Sundays. I, ii, Here, clearly, Benedick exhibits his detestation of the conventional Elizabethan marriage. For him, being married is synonymous with being a cuckolded husband, since in his opinion all women are cheaters. He substantiates this even further when he tells Don Pedro and Claudio: That a woman conceived me, I thank her; that she brought me up, I likewise give her most humble thanks; but that I will have a recheat winded in my forehead, or hang my bugle in an invisible baldrick, all women shall pardon me.
Because I will not do them the wrong to mistrust any, I will do myself the right to trust none. And the fine is — for the which I may go the finer — I will live a bachelor. Beatrice as well exhibits herself as a misogamist and disdainful woman in her dialogue with Leonato: Well, niece, I hope to see you one day fitted with a husband. Not till God make men of some other metal than earth.
Would it not grieve a woman to be over- mastered with a piece of valiant dust? To make an account of her life to a clod of wayward marl? II, i, Here, it can be clearly seen that Beatrice as well as Benedick do not only direct their wits at each other but at the conventional image of marriage and love of their times.
Thus, another similarity between the two characters has been established in the play. By positioning themselves as critics of the traditional way of living and loving, they also implicitly mark themselves as wanting real love — if any at all. Hence, within the first two acts, a mutual interest between Beatrice and Benedick, as well as an equal witty characteristic and a shared hidden wish for true love as opposed to conventional love have been established in the play, preparing them for their fate of falling in true love with each other later in the story.
Whereas Hero and Claudio are torn apart when they are misled, Beatrice and Benedick are drawn together through the tricks played by their friends.
Knowing both good and bad, love leads to trust. Infatuation, as Scheff states, is thus much more vulnerable to outside influences than love In the case of Hero and Claudio, it is obvious that since there has not been any direct communication between the two in the whole play, their relationship does not rely on knowledge of the other but on mere liking of the outer appearances and on an idealisation of the beloved.
Thus, through little influence from their environment, these two infatuated characters are easily torn apart. In contrast, Beatrice and Benedick are brought together by the plot hatched by their friends and family. This, in my opinion, is due to the fact that in their relationship it is not the affection for each other that is vulnerable to outside influences but their bad wits.
Wittiness … can have positive meaning as well as negative. If, on the one hand, it can be used as a tool of practical reason in the service of emotional repression, distrust, and pride, it can also express a light-hearted playfulness, a love of life, that undermines the vices of proud reason and brings man into communion with his fellows.
When the couple is tricked, their friends strongly emphasise their bad wits, most of all their pride, in order to make them love the other. This can be seen very well when Benedick eavesdrops on his friends Don Pedro and Claudio talking about the invented fact that Beatrice told them she was in love with Benedick. It were good that Benedick knew of it by some other, if she will not discover it.
He would make but a sport of it and torment the poor lady worse. An he should, it were an alms to hang him. And she is exceeding wise. In everything but in loving Benedick. II, iii, Here, the friends clearly want Benedick to realise how proud he is and how his bad wit makes him look in the eyes of others.
Why, it must be requited. I hear how I am censured: They say too that she will rather die than give any sign of affection. I did never think to marry. I must not seem proud; happy are they that hear their detractions and can put them to mending.
O god of love! I know he [Benedick] doth deserve as much as may be yielded to a man. Disdain and Scorn ride sparkling in her eyes, misprising what they look on, and her wit values itself so highly that to her all matter else seems weak. She cannot love, nor take no shape nor project of affection, she is so self-endeared.
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Sure, I think so. What fire is in mine ears? Can this be true? Stand I condemned for pride and scorn so much? Contempt, farewell; and maiden pride, adieu; No glory lives behind the back of such. And Benedick, love on, I will requite thee, Taming my wild heart to thy loving hand. III, i, As already stated above, these very quick and extreme reactions to the intrigues played to Beatrice and Benedick can be explained by the fact that in their relationship it is not their affection for each other that is vulnerable to outside influences as it is the case with Hero and Claudio but their bad wits.
Since — as has been shown further above using the beginning of the play — Beatrice and Benedick have everything that real love is based on interest in and affection towards each other, similar characteristics, and a shared wish for true lovetheir environment does not have the ability to destroy it.
In contrast, their pride and bad wit, which have served as shields for their true feelings for each other, are vulnerable to outside influences. In other words, the plot hatched by their friends forces them to realise for the first time that they indeed feel attracted to one another. Therefore, the effect of the eavesdropping scenes supports the claim that Beatrice and Benedick represent true love in Much Ado about Nothing.
Much Ado About Nothing – Describe how the relationship between Benedick and Beatrice develops Essay
The fact that Beatrice and Benedick further develop their affection that was created through the tricks played to the characters in acts 2 and 3 into actual love through a proof of loyalty supports the claim that they represent real love in Much Ado about Nothing. This can be seen very well in the soliloquies of the two characters directly after they are tricked.
Beatrice, for instance, remarks: Contempt, farewell; and maiden pride adieu; No glory lives behind the back of such. And Benedick, love on, I will requite thee, taming my wild heart to thy loving hand. Thus, it is a result of reasonable thought rather than an abundance of passion for Benedick.
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II, iii, Here also, one can see that the decision to marry Beatrice is not primarily based on mad passion for her but that it goes hand in hand with him realising that his environment finds him proud. However, in all this it must not be forgotten that the two indeed do feel affection for each other — as has been shown earlier in the analysis.
As in the case with Claudio's attraction to Hero, it is 1 often based only on outer appearance.