A-level lesson on Nick and Jordan's relationship in The Great Gatsby. Lecture style lesson but with prompts for analysis of language and. The Great Gatsby is the third novel of Fitzgerald, published in after This Side of For instance, Gatsby's love affair is told by Jordan Baker (chap.4 p80). Yet, without being acquainted with Gatsby, Nick is nonetheless a relative of Daisy . his moral prejudices and strikes up a personal relationship with Gatsby ( chap. Get free homework help on F. Scott Fitzgerald's The Great Gatsby: book summary , Nick Carraway, the story's narrator, has a singular place within The Great Gatsby. From the first time he interacts with others (Daisy, Tom, and Jordan in.
However, the movie of this novel is not about re-creating the novel, nor about re-creating the summer of Here are a few of my favorite movie moments that take something essential about Fitzgerald's wonderful book, and put them into cinematic terms. I'll have to do this as a multiple post, since I know I'll run over the word limit with the first few. Thanks for staying tuned. When he was the same age, Leonardo DiCaprio was already an established actor, soon to be, in the wake of The Quick and the Dead and The Basketball Diariesa leading man and major star.
The title role he plays for Luhrmann this time is still romantic, but the slender, floppy-haired, beautiful youth with wide chatoyant eyes is a man now. Jay Gatsby is in his early 30s, an "elegant young roughneck" who has been through war and love and crime and loss, through wild financial success and emotional despair.
Gatsby, the cipher of a character, is not the best thing about Fitzgerald's novel. DiCaprio, as Gatsby, is the best thing about Luhrmann's movie.
Jordan Baker's role in the book as Nick Carraway's summer girlfriend and fellow "bad driver" is almost absent in the movie.
Fitzgerald's Jordan is a suntanned blonde with gray eyes who takes up important narrative room; she's also a cheat and a liar.
The Great Gatsby
In the movie, Elizabeth Debicki as a pale, dark-haired Jordan towers over Tobey Maguire's overwhelmed Nick, and they have no relationship to speak of at all. Strangely, though, I didn't miss Jordan in the movie. I hadn't realized how much time Fitzgerald had devoted to Nick and Jordan, until I saw that space freed up to concentrate on Gatsby and Daisy. The novel's central love story stands out more clearly, in the movie, and Nick's spared a great deal of confusion. The diminishment of Jordan is a major difference between the book and the movie, but I was surprised by how little I minded it, and, indeed, by what a relief it was.
When Nick is unpacking at his new house on Long Island, he grins as he takes a copy of Ulysses from one of the boxes. Ulysses doesn't appear in Fitzgerald's novel, but James Joyce is a guiding presence in it.
Fitzgerald admired Joyce above most modern writers. For Tobey Maguire to be holding that distinctive big bluebacked book, just published in Paris in February and banned at the time in America, is a perfect touch to make Nick Carraway look like a writer.
The Great Gatsby From Book to Movie: My Top 20 Faithful Things, Part One
In the novel, a married couple have a memorable fight at Gatsby's first party. As the venue consists chiefly of married businessmen drinking and cozying up to the dancers, it's a smart, funny use of Fitzgerald's phrase.
Race and ethnicity are subtle, important things in the novel. Tom Buchanan is the racist and bigot who disgusts both his wife Daisy and Nick with his comments, but Nick is very disconcerted himself by Meyer Wolfshiem.
Nick's Midwestern prejudices and repressions are reflected in his comments on Wolfshiem -- who, in fairness to Nick, shocks and puts off Nick less because he's Jewish than because he's the mobster who's fixed the World Series. Luhrmann's choice of the elegant, excellent Amitabh Bachchan as Wolfshiem complicates easy, snap definitions of ethnicity, skin color and religion in a way that echoes the novel's resistance to such definitions, too.
Wolfshiem carries much weight in the movie, as he embodies the explanation for where Gatsby's money has come from and what his "business" dealings are. As Wolfshiem says in his first line, Gatsby's "my boy. In addition, the family patriarch didn't exhibit the good Midwestern values Nick sees in himself.
When the civil war began, Nick's relative "sent a substitute" to fight for him, while he started the family business. This little detail divulges a few things: It places the Carraways in a particular class because only the wealthy could afford to send a substitute to fight and suggests that the early Carraways were more tied to commerce than justice.
Nick's relative apparently doesn't have any qualms about sending a poorer man off to be killed in his stead. Given this background, it is interesting that Nick would come to be regarded as a level-headed and caring man, enough of a dreamer to set goals, but practical enough to know when to abandon his dreams.
Also contributing to Nick's characterization as an Everyman are his goals in life. He heads East after World War I, seeking largely to escape the monotony he perceives to permeate the Midwest and to make his fortune.
He is an educated man who desires more out of life than the quiet Midwest can deliver although it is interesting that before living in the city any length of time he retreats to the country.
What helps make Nick so remarkable, however, is the way that he has aspirations without being taken in — to move with the socialites, for example, but not allowing himself to become blinded by the glitz that characterizes their lifestyle.
When he realizes what his social superiors are really like shallow, hollow, uncaring, and self-servinghe is disgusted and, rather than continuing to cater to them, he distances himself.
In effect, motivated by his conscience, Nick commits social suicide by forcefully pulling away from people like the Buchanans and Jordan Baker. In addition to his Everyman quality, Nick's moral sense helps to set him apart from all the other characters.
The Great Gatsby From Book to Movie: My Top 20 Faithful Things, Part One | HuffPost
From the first time he interacts with others Daisy, Tom, and Jordan in Chapter 1he clearly isn't like them. He is set off as being more practical and down-to-earth than other characters. This essence is again brought to life in Chapter 2 when he doesn't quite know how to respond to being introduced into Tom and Myrtle's secret world notice, however, that he doesn't feel the need to tell anyone about his adventures.