FREDERIC ZIGANTE VILLA LOBOS PDF

Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] – Frédéric Zigante on AllMusic –

Author: Zulkik Tazil
Country: Cameroon
Language: English (Spanish)
Genre: Technology
Published (Last): 16 January 2009
Pages: 340
PDF File Size: 16.62 Mb
ePub File Size: 12.90 Mb
ISBN: 630-9-21878-648-6
Downloads: 87600
Price: Free* [*Free Regsitration Required]
Uploader: Taubei

Zkgante yet, he is by no means an anachronism. The one that mediates between the written text and the auditors. Someone who takes care of other people’s problems. There are still so many works to be discovered and recorded even for instruments like the guitar. After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea.

What really matters is to transmit emotions and feeling. What really makes the difference is the music that is written for it. People loboss to be educated about classical music, before they can really appreciate it.

15 Questions to Frederic Zigante

With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question! What constitutes a good live performance in your opinion? What do you tell them? The hardest part about being a musician is to often be alone and the best is to get emotion during a performance.

I play both baroque and classic guitar and I consider them two different instruments. The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even fdederic out certain passages for more easy digestability. This is how an interpreter and a composer can cope to “travel” together without any conflict.

  AWE IN PEOPLESOFT PDF

Interpretation is a task: I haven’t noticed any crisis. If yes, how good were you at it?

Frédéric Zigante

How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer? Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good.

A good live performance requires good technical standards and acceptable contents for the audience.

What would be on your program for this season? You need to see the whole picture here – after all, that is what Frederic Zigante is all about.

Frédéric Zigante on Spotify

I live between two beautiful Italian towns: Have you ever tried playing a different instrument? Is there a crisis? During the next two months Lobls will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes.

It is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text.

An interpreter’s task is to give lobow to emotions that are latent in the musical text not only to play them! First I need a contract then I shall begin thinking about it! An interpreter has a great power in his hands because without him the work has no life and can’t be heard.

  ASTM C1055 PDF

False, the only thing about which people need to be educated is listening with curiosity: How would you describe the relationship with your instrument? Community Links Countries Recording Services. About Our aim The team History. If a perfomer has nothing to say and simply plays the music, he should stay home. This is what some performers do sometimes, they even cut off some parts of the works!

I would probably be a medical doctor or a politician. I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages.

But his power can be negative and he can destroy music, modify it or misinterpret it. In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the purity of a piece is not a sign of conservatism – but rather of class.

My father and my brother Manuel. You are given the position of artistic director of a concert hall. But I know that I shall certainly not: Complete editions are Frederic Zigante’s specialty: